Here’s Severine Dupelloux singing the French national anthem to open the Winter Olympics at Albertville in 1992:
The link popped up in my twitterstream this morning, and I was very pleased to see it, not only because of the (sort of) appropriate Bastille Day / Olympics mash-up effect, but also because this was the legendary performance–a sweet ten-year old French girl from the Savoie singing unaccompanied before the TV cameras of the world–that inspired Danielle Mitterrand and others to embark on their ludicrous campaign (leComité pour une Marseillaise de la Fraternité, no less) to rewrite the words of the Marseillaise to make them a little less bloodthirsty. Happily, nothing came of it, and the French continue to enjoy the finest national anthem in the world.
Other Stoa Marseillaise links, some possibly still functional, over here.
[It was somewhat appropriate to have a British cyclist win–David Millar–win yesterday’s stage of the Tour de France, on the 45th anniversary of Tom Simpson’s death on Mont Ventoux. (If you haven’t read it already, William Fotheringham’s book about Simpson’s death, Put Me Back on my Bike, is marvellous.) But today, it should be turn of a Frenchman.]
One of my minor scholarly ambitions is one day to write a short history of big-haired lady Classicists, from the seventeenth century onwards. But one of the reasons that this may be a more challenging exercise that it sounds is that it is sometimes hard to tell whether lady Classicists have big hair or not, given their fondness for being painted wearing large military helmets in the style of the Roman goddess Minerva.
I mentioned this to someone in Celtic Studies the other day, and she observed that lady Celticists in centuries gone by also liked to pose for portraits in flowing Celtic costumes. So there may be a significant comparative dimension to make the project a bit more complicated and interesting than I’d initially anticipated.
Well, it seems that it’s quite a tricky question. I can’t find any images of her in any of the places you might expect to find one–in the catalogue of the National Portrait Gallery, on her Wikipedia page, in the ODNB, or in the front matter of reprints of her major work. And I’m told that although there was a likeness made of her in the eighteenth century, no-one seems to know what happened to it, whether it survived–or, crucially, whether it recorded a lady Celticist with big hair or not. So the mystery persists.
Anyway: all that is really just a long and frivolous introduction to say that while I was scratching around looking for Charlotte Brooke-related material on the web–and finding along the way that she has her own roundabout in Co. Longford!–I learned that there’s a gorgeous new-ish edition of her major work, Reliques of Irish Poetry (1789), edited by Lesa Ni Mhunghaile, and a copy arrived in the post the other day. And it’s very good indeed: really well done, and I’m going to learn a lot from it.
Mais quelle différence entre les vérités que nous admettons et les dogmes que proclame un industrialisme grossier et trivial, dogmes qui tendent à transformer l’ordre social en une république de castors, de fourmis ou d’abeilles. Méconnaissant la dignité humaine, ce genre d’industrialisme confierait les rènes du gouvernement au seul intérêt privé. C’est lui qui donne pour l’article de foi la maxime suivant, que gagner de l’argent c’est bien mériter de la civilisation, c’est répandre la lumière. C’est dans le sens de cette doctrine que le Constitutionnel immole chaque jour, sur les autels de la classe industrielle, les nobles et les administrateurs. Lancer le moindre sarcasme contre un fabricant, c’est un blasphème! malheur au poète comique, au journaliste ou au député qui se permettrait ce crime contre la seule classe inviolable de toute la société.
— ‘De l’industrialisme’, in Le Catholique, vol. 5 (1827), p. 241
Also of interest at the Virtual Stoa is the way that the Baron goes on to call Johann Gottlieb Fichte a Stoic just a few pages later (p. 239) — but, right now, we’re focused on the beavers.
When you start looking for it, the Republic of Beavers is everywhere!
Goethe called Venice the “Biberrepublik” in his Italian Journey (27 September 1786), and the identification was picked up by the Comte Pierre-Antoine-Noël-Bruno Daru in his 1819 Histoire de la république de Venise, vol. 5. There’s even an article on ‘The Republic of Beavers: An American Utopia’ by Arnold L. Kerson in the 2000 volume of Utopian Studies!
Daru says that it was Montesquieu who first called Venice the R of the Bs, but I don’t know what the original source is supposed to be. So I now find myself leaning towards the thought that the original for all of this is Voltaire, who in the entry on ‘laws’ in his Philosophical Dictionary (1764) shrewdly notes that ‘The republic of the beavers is still superior to that of the ants, at least if we judge by their masonry work.’
This year’s UK Eurovision entry was so forgettable that I have — less than 48 hours later — entirely forgotten it. It was sung by someone called Josh — I remember that bit — but I couldn’t tell you what it was called, or anything at all about how it went.
It’s good to read in tehgraun that “some of Italy’s most senior police officers have been given jail sentences of up to five years for what the prosecution called a “terrible” attack on demonstrators at the 2001 G8 meeting in Genoa and an attempted cover-up”, though sad also to read that, as with so many criminal trials with political ramifications in Italy, statutes of limitations mean that jail sentences are unlikely to be served.
Someone who may very well be unhappy with these verdicts is Tony Blair. British readers may remember what his spokesman said at the time, when reports of police brutality were beginning to circulate: “The Italian police had a difficult job to do. The prime minister believes that they did that job.”
Over the fold is a bit of eye-witness testimony of the events in question, from my friend Uri Gordon, an Israeli anarchist and G8 protester, which I was privileged enough to be able to publish nine years ago in The Voice of the Turtle:
Asterix, series pictographica in toto orbe terrarum nota, mense Octobri exeunte quinquaginta annos complevit. Quod iubilaeum in Francogallia variis expositionibus, concentibus aliisque eventibus institutis, quin etiam propria tessera epistulari edita, publice celebrabatur. Ad honorem anniversarii semisaecularis etiam novus libellus pictus et divulgatus est, qui inscribitur: ‘Dies natalis Asterigis et Obeligis – Liber aureus’.
Do note, by the way, that today is the French Republican Calendrical equivalent of 29 February — it’s the leap-day that comes round in order to complete the quadrennial cycle, hence its magnificently appropriate name.
I’ve long thought that the EU got things the wrong way around when it mandated use of the (French Revolutionary) metric system and stuck to the old Gregorian Calendar. My offer to Mr Brown’s Government is that if they legislate to implement the French Republican Calendar in this country, I shall drop my opposition to the creation of British Values Day — especially if it gets held on the Jour de la révolution, which would mean not only that it’ll only come around every four years, but also that it’ll tacitly, or not-so-tacitly, identify British Values with French Republican Values, which would be a significant improvement on what’s otherwise likely to be on offer.