Norman Geras has too much time on his hands, but my goodness he uses it well.

And, on a related note, as part of my long-intended but never-really-acted-upon plan to watch more Westerns, I’m looking forward to watching The Man Who Shot Liberty Valance this evening. This is the film which, as Victor Muniz reminds us, is the unlikely case study in an excellent essay by Christine Korsgaard – which I’ve mentioned before – on Immanuel Kant and the right to revolution.

It’s no wonder, really, that we sometimes call the subject I try to teach the History of Western Political Thought…

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