And, given these three, you really don’t have to.
Frost / Nixon is quite fun, and bounces along, but there’s no point making films like this if you’re going to distort what actually happened as much as this one does, and for no terribly good reason, artistic or otherwise. I don’t think I was prepared for a film containing a depiction of a naked John Birt. Perhaps the poster should carry a warning. (“Warning: Contains Scenes Depicting a Naked John Birt”.) I wondered whether it was a problem that it’s impossible to watch Michael Sheen without thinking of Tony Blair, but I don’t think that it is. There is something of Blair in David Frost – the eagerness to suck up to the powerful, in particular – and so it becomes a useful association rather than an irritating distraction.
Slumdog Millionaire is a very bad film. I’m not sure what else to say. It wasn’t dreadful, but when I was trying to think of “films I’d seen in the cinema that were obviously worse”, the two that sprang to mind immediately were Ridicule and Life is Beautiful. Those two were much, much worse than Slumdog, admittedly, but what these have in common is that they are all the kind of foreign films or films about foreigners that get Oscar nominations, and perhaps in future I should make sure I avoid those.
Revolutionary Road isn’t very good, either, which was a bit of a surprise, as I enjoyed American Beauty, and had quite high hopes for this one. There’s very little drama, as what happens once the plot gets going is almost entirely predictable, and the general approach is to pile on every kind of clichÃ© one can think of about suburban life in 1950s America. Michael Shannon’s two short scenesÂ are easily the best thing in the film, but even he’s just recapitulating another stale topos, the madman who talks more sense than anybody else. Part of me thinks that the suffocating layers of clichÃ© and stereotype on all the various levels in this film must be part of its point – but then one just ends up wondering just what that point is supposed to be.